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Film of the Week - December 1

The four times Michelangelo Frammartino

Synopsis

panoramic backdrop of the Calabria Jonica intertwine four episodes, fragments actually of a single story. That of a soul through successive four lives: an old shepherd who lives his last days, the birth and first weeks of life of a kid to the first pasture, the life of a fir tree through the seasons, the transformation spruce in the old coal through the coal trade.

After the good result at the Cannes Film Festival , where he was selected (and loved) the Directors' Fortnight and after winning the Europa Cinemas Label prize - to support the European distribution - comes the second film from source Calabrese, who was born and lives in Milan, even if "his" Calabria is hidden between the mountains and countryside the set that privilege. It was in Gift, his first film, returns in which yesterday won the Silver Ribbon (assigned by film journalists) the special tape. It really is a special film Four times, the poetry of cinema rooted in the essence of life. As the seasons that inspired the title, which are also the steps that matter in the universe through human, animal, plant, finding each of them a new function.

The test was hard, a long process to address the need to film the changing seasons, and especially the possible "ghost" of onset that had made him known internationally ( The gift was presented at the Locarno Film Festival). Of the previous film that keeps the loving and caring for landscapes and light, the composition of the shots and the relationship between those who live (the assembly of perfect balance is Benni Atria), showing a more safety conscious in the reciprocity of narration images.

We are in a small village, an old shepherd in the fields every day brings his goats. He is accompanied by the dog that watches the flock. The 'old man is ill, has a bad cough, take care all night drinking a little water in the holy ash that passes a pious woman. One day it loses the precious package, look, she runs to the sacristy, but now it's night and the door is closed. The next morning, the goats are waiting, the dog barks to the villagers who prepare the procession but the man does not arrive. The goats are dying in his bed, surrounding him as if to say goodbye.

Second movement, the birth of the kid. Now the goats are the main characters, funny and savvy in front of the camera - must have been incredible patience and work to capture those magic moments of humor, "goat." We see them in the barn, grazing, hypnotic gaze on us (other than The Men Who Stare at Goats ) the flock in some ways reflects the community of humans. One day the kid is lost in the forest and falls asleep under the big tree. Third movement, the huge fir is about to be shot down. It is indeed time to prepare the pita, the holiday that celebrates the fertility in the country tradition. The whole country is united in the effort, and then in songs and dances. At the end of the rite, in the fourth movement, the wood becomes charcoal for the winter, a wisp of smoke in the infinite horizon of the sky ... This parable in the look of
Frammartino becomes simple (and universal) as a fairy tale. The "once upon a time" the director takes us gradually into the essence of an ancient world, perhaps destined to disappear, which in its dynamic - gestures, rituals, bond with nature - it expresses the deep sense of the world. We could say that is our Frammartino Apichatpong Weerasethakul , its mountains and forests are not populated by ghosts as the Thai jungle, but we also return the memory, and that breath out of time in which things come together to to become one.

No pompous tone, however, nor any aesthetic appreciation of the beautiful picture-of-a-po'-empty - even if the shots are magnificent, painting and condense invention. The challenge of Frammartino is that of cinema, that's where the feeling passes, spirituality, history. His images "document", filmed the reality nell'imprevisto in detail and in the flow of existence of all living things. And invent a personal dimension, in secret, tell a mystery. This is their power, it is here that fail to retract the eye of the viewer, a surprise to take him elsewhere. Theirs is in fact an open horizon, which offers no explanations and neither imposes a guided reading priority. Give a home run instead of wonder, thought, sweetheart.
(Cristina Dot, The poster )

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The movie of the week - November 24

Wartime Todd Solondz

Synopsis Ten years after the masterpiece Happiness, shocking hypocrisy of bourgeois American analysis, Solondz takes characters and plots of the movie, however, changing actors and locations. The protagonist is always the Jordan family, which recovered yet from past failures and again struggling with fragile Joy, left alone after her husband's suicide, with the hysterical Trish, mother of two teenage children and former wife of a pedophile released from jail , and the billionaire Helen, Hollywood writer incapable of being happy. Time has passed, in short, but little has changed.

forgive and forget, or rather (as in the original title), "Life During Wartime": life in wartime. And there are many "wars" that the American director Todd Solondz , one of the fathers of contemporary independent cinema, filmmaker and columnist committed, ruthless in this movie that will reach the heart of America in the twenty-first century with a speech by family as you always political, social and philosophical. The film firm's illness, "Bush's permanent war" with the private hatred of the heirs of pedophile father, a quiet right-thinking that psychiatry in the previous film had ended up in jail for abuse of a child in elementary. Breaking the vicious circle of revenge, stop thinking of war as an absolute present. "Forgive the terrorists of September 11?" Asked the lady Trish resentful old son to Jordan. "But if they had tortured and killed your loved ones, do not you do something too horrible?" Replied the son eager to forget the sins of the father, Mr. Bill Jordan, just released from prison. The indication is the neglect of 'something you have done too badly. " If you do not forget the evil instincts are transformed into spectra persecutors who poison the lives of all.

Feeling frozen, minimalist style, huge problems, Todd Solondz is one of the few great storytellers of our times wounded. The first to take the slow and relentless change of sensibility and sexuality, from children to adults and adolescents to get. The only one to combine the comic and the tragic with a distracted tone as implacable nailing viewers to the screen and characters to their responsibilities. In Wartime no one is innocent, and no one is only really guilty, but each carries the weight of what it is and its consequences. Imagine the humor of Woody Allen made a thousand times more cutting and grafted onto a world of ad inventory, but made from a digital photo, glossy, bright surroundings anonymous and insignificant as any non-place of modernity.

In Solondz film nothing and no one is beautiful or seductive yet everything is real sensitive, significant, each person has a right to our compassion, mercy has every horizon not only for the life of the individual but the world, love and war, the West and the Middle East, religion and desire, closer than it appears at first sight. Here is the war in Iraq - and one of the sisters said "we are still a country at war - and then there's a war fought by all members of this family of American Jews with their own aberrations, falsity, and horrors disappointments. And, although never stated, but deep heart of the film, there is the "war" with infinite history of the Jews, all clotted, and yet always on the theme of forgiveness as a possibility for peace and the impossibility of forgetting as the fate of war. There is no escape from the horns of this paradox place with conscious determination Solondz. Unable to forget, you can not forgive. Unless, as suggested by the young Timmy, is not better to clear the memory, remove, rather than suffer. But if this is a choice that each individual can do on his private history, what can be done by the collective history, to their shared responsibilities. So it seems to say Solondz in this film in which private and public destiny and history, tragedy and forgiveness continually challenge each other in a battle without end.

Forgive and forget is an ensemble film, hard and intense, drawn, clear as a graphic novel, beautifully written and played by amazing actors.

Clip Art Of Chickenpox

I asked myself: It 's time for gifts. Why not give the opportunity for our friends to make a useful, original, organic?
Nadia and I set to work and we have prepared the gift packages you can find on the site of Ancient Goodness. You can place your order and we will send to whoever you want. There are standard packages from 23 €, if you want to "customize" write us and we will.
PS: It 's not advisable to wait until the last day
to ensure the timely delivery. The couriers to December workloads.

Groping In Bus Vedioes

Completed the fifth book

The fifth book in the series, the most challenging so far, has finally ended. Write the part set in the past is much more complicated than expected, as things to be considered are increasing and it is important not to miss any details (because of course all that after I write will be affected). To close this window to the past is therefore the sixth book, which will close the circle projecting a recovery in history where we left. Yes, I know, some are already waiting, but I doubt that the text will be out before late spring 2011.


Meanwhile I am rearranging the second book, which will be available by Feltrinelli in early December ... I wish I had more time to devote to editing, but unfortunately this is the kind of time that can now be considered a luxury. Rereading it, I consider "The Blood and Grace" the most important book among those produced so far. I do not know if it is also the most beautiful, that I do not have to establish it. In any case, I take this opportunity to take stock:



1 The Guardian of moths

2 Blood and Grace

3 The shadow of what is left

4 The upper part of the sky

5 Wolves and guard dogs



I take this opportunity to thank every reader, irrespective of the history that has come to the many questions about the plot and characters that never fail to leave me speechless: it is strange to hear the various theories and predictions about "what happens", not to mention "how it will end! Sometimes I almost forget to be the author, as if the whole thing taking on a life of its own no longer bound to my taste and my decisions ... I do not rule that has already happened and that even my noticing it, even if this is a ' another story ...

Transvestites Wearing Skirts

The movie of the week - November 17

Soul Kitchen Fatih Akin

Synopsis
the outskirts of Hamburg, a cook of Greek origin, Zinos, manages a negligible restaurant frequented by a rough and not very demanding clientele. Forced to rest by an accident, takes on a new Zinos cook, a visionary chef of nouvelle cuisine, the restaurant that transforms into a trendy and change the lives of its patrons and its owner.





With humor to sell, a turkish-German director Fatih Akin , former director of the dramatic Head- and The Edge of Heaven , says the global society with a play alive with a kaleidoscope of characters and events from the point of absurdity. The film is set in a restaurant for those who need stuff to loyal customers, has a protagonist with overweight the herniated disc (played by Adam greek Bousdoukos, who is also writer), and a wonderful soundtrack that mixes funk and rhythm & blues with hip hop, rebetiko greek and a song by Hans Albers. As can be easily understood and to understand after a few minutes, is a screwball comedy because today you have to be a bit 'hit and be romantic Soul Kitchen of Fatih Akin everyone is so crazy to want to do only what they like. So in the end win the good, the bad are punished and those loser worthy of a film Kaurismaki finally right to lightness and good humor of a musical with Fred Astaire.

Author, screenwriter and producers have repeatedly said that Soul Kitchen is a modern Heimat, or home of a movie idea, then, modern, community, family and belonging. That is really the maximum for a film shot and directed by children and grandchildren of immigrants: Akin is indeed of Turkish origin and in his previous films have always dealt with the suffering and displacement of his condition, but never with a look so light and light-hearted as in this case and indeed often indulging (and excessively) in the family drama.

Because in the end, despite the tragedies (family and others) continue to happen and overrule the chronicle of our times, things can change. At the movies, of course, where you just need a bit 'way for the resolution of images, a first class musical knowledge, a flair for the really cool of time (in this case, for example, the kitchen like), and some sound principle to make a film against the original and unconventional to tell from a contemporary point of view as unexpected as it takes.

Soul Kitchen, for better or for worse, all this is: a funny movie, funny, loud and sideshow, a mixture of cultural influences and identities of modern society, past and blend for an hour and a half of comedy that although the minutes went astray with the relentless pace of the first part, manages to maintain a steady force of his irony and his good nature.

Akin, born in Hamburg to Turkish immigrants, is then returned to his hometown to kick off an uproar of friendship, love, mascalzonaggine, madness and paradox returns with affection, but without the atmosphere of indulgence border line of multi-ethnic port city and enjoyable. It is certainly not unexpected development of the plot, but the rousing cadence of recitations, dialogues and the soundtrack makes the images authentic, intelligent, mocking and included protest against the dismantling of old, expensive (and filthy) industrial districts not pedantic or ideological.

How Much Concrete For A Planter Wall Foundation

The core becomes VINTAGE! Here are the titles in the running!

Nucleus tries again. After
cinecircolo Nucleus (September-February), the cinecircolo The Cineocchio (February-April) and the outdoor arena summer (June-August), the Association proposes yet cinema.
This time it is a movie, strictly in 35mm film, which made the history of Italian cinema and foreign films exhibited to always room Ordet.
The proposal is still under construction want to start the new year!
When

every week. Two performances: Sunday evening and Monday evening.

Where
Ordet Hall, Christ the King Square in Alba.

input
only a single ticket or, for those who wish, subscription.

single ticket costs € 3.00

FILM WHICH WILL AGAIN?

Here are a few, all on 35mm film:

The 400 Blows - Truffaut
Nuovo Cinema Paradiso - Tornatore
Ordet - Dreyer CT
Rome Open City - Rossellini Effect
Night - Truffaut
Upon a Time in the West -
Leone The Good, the Bad and the Ugly -
Leone Once Upon a Time in America - Lion
Shining - Kubrick
Barry Lyndon - Kubrick
The Silence of the Lambs - J. Demme's Nest One Flew Over
cucolo - M. Forman
Woman Who Lived Twice - Hitchcook
The Godfather - Coppola
Kane - Welles
Taxi Driver - Scorsese
La Dolce Vita - Fellini
Clockwork Orange - Kubrick
Casablanca - M. Curtiz
Bicycle Thief - V. De Sica
Sunset Boulevard - B. Wilder
The Conformist - Bertolucci
Jeremiah my scalp - Out of Africa
Pollack - Pollack
Pinocchio - Comencini
La Grande Bouffe - Ferreri
Where Eagles Dare - Brian G. Hutton
my friends - I Monicelli
bulls - Fellini
Il Marchese del Grillo - Monicelli
Beyond the Clouds - Antonioni and Wim Wenders
Don Camillo - Julien Duvivier
An American in Rome - Vanzina
Novecento - Bertolucci
All home - Comencini

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Let us know what you would like to review!

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The movie of the week - November 10

The father of my children Mia Hansen-Love

Synopsis The film is the story of Canvel Grégoire, a man who has everything. A woman who loves him, three lovely daughters, a job that passion. Does the filmmaker and devoted to his work all the time and energy. The family suffers, but understands it. He has charisma, Grégoire. He produced many films, took many risks and accumulated debts. His Moon Films is on the verge of bankruptcy. He resists at all costs, but the failure is evident, the irreparable harm. Cornered, he chose to bow out with an extreme gesture and no explanation. Others, again, the task of understanding.




The father of my children door to the cinema the story of sad Humbert Balsan , French producer of great directors of arthouse cinema as Youssef Chahine, Nasrallah Yousri, Claire Denis and all those authors in the world, from Tajikistan to South Korea, looking for a partner willing to take risks and believe in their projects. A passionate man, Balsan, who like the character in the film is named Grégoire Canvel loved the film like few others, open to life and art than the art itself and stopped and walked on.

But what in life was the failure of a professional man and its project in the hands of the young director Mia Hansen-Love becomes a sweet, intense family melodrama. French-born Austrian, was felt as early as the semi-autobiographical Tout est pardonée, in competition to ' Alba International Film Festival in 2008, the Hansen-Love has learned the craft from Olivier Assayas , for which worked as an actress and by which it is the lesson of a cinema close to the bodies and faces of the characters in the physical substance of the images, but intimate, private, almost spiritual in the predominance of feelings and emotions

The father of my children play on the expectation and the construction of an ideal world: The first part is a long prelude to something that has to happen and will happen, as if love were the only family that can actually be once everything disappears and ends. So, far from a plain narrative, but in favor of a tale told of meetings and conversations, small and great happiness, the film builds up heat, affection, spontaneity, beauty and freedom when in pain is just unbearable because of what built that can be credible and sincere.

Because when the story seems to overwhelm the characters, when the event takes over and makes biographical finally turn the narrative, what the director is chosen to free the film, not to push the machine to the pain or to privilege the economic issue. Chooses to bring up the characters in the first part of it as the center of the film, plus the presence of a ghost that emerges because of its absence.

The father of my children, then, begins to follow random paths, dead ends open, notes and films the bodies of the four protagonists move in a world where the absence, paradoxically, is the only definite presence. The protagonist becomes partial and discreet especially the young daughter of Gregoire, the girl who mixes sadness and anger in solitude adolescence. The director enters gently, and near the feelings of women, knows how to make real in their dance of laughter and tears, small epiphanies like a candlelit dinner or when the girls enter the office for the last time father and the face ' without taking away the memories: a business card, waste of film of an old movie.

The father of my children is a film about cinema, but cinema as a vehicle of life and beauty, because just talking about relationships, love, growth, confused. It is an extraordinary film: Mia Hansen-Love should perhaps too much to the cinema of its models, but eventually emerges in all her femininity and becomes a sad story and sad in a hymn to life.

PS: Fun fact: the film titles, names of directors and the posters hanging in the study of Grégoire Canvel have been changed, but the events of productive Humbert Balsan and clips of films he has produced. The film is seen during the retrospective in Paris is The angel's right shoulder (2002) by Jamshed Usmonov , who plays himself, but under the name of Kova Asimov, while the film that led to the failure Balsan, here directed by a Swedish man was actually in London by Hungarian Bela Tarr, was stuck for two years and then finished in 2007 and presented at the Cannes Film Festival.

Free Rabies Clinic, Parsippany, Nj

SUBJECT BASIN EX "EMERGENCY PALERMO"

From the site of the Region, DEPARTMENT OF FAMILY AND SOCIAL POLICIES

http://pti.regione.sicilia.it/portal/page/portal/PIR_PORTALE/PIR_LaNuovaStrutturaRegionale/PIR_Assessoratofamigliapolitichesocialielavoro/PIR_DipFamiglia

NOTICE TO PIP

_____________________________________________________________________________ Please note that at the premises of Sicily and services via Thaon De Revel is located in a private office staff PIP. It

invite the parties, who have a need for clarification, please contact that office, Monday to Friday from 9.00 to 13.00.

__________________________________________________________________________

are informed affiliated entities under the Expression of Interest for the use of social workers in the public interest pursuant to Art. LR n. 52 of 12.05.2010 11, following the union last October, workers contracted in the months of November and December, an additional time of 7 hours for a total of 30 hours per week. The President of the Social
Trinacria onlus
___________________________________________________________________________

Those who are associated with the respective Trinacria Onlus, but have not yet signed the contract, must go by Monday at the premises of coatings via Thaon De Revel.

Those who are not yet members, have until 15:00 to Friday, 5 November 2010, always on the premises of Via Thaon De Revel, to sign the membership of the group in order to be subsequently contracted.